Last Wednesday, as I wandered The Whitney for their biennial exhibition, very few things were truly grabbing at me. I was bored, looking for something that felt note-worthy. I crept into every room I could find, before slipping into one densely-populated screening room tucked away in the corner of the second floor. Walking in, on its own, was a strange experience.
You hear an American man describing two different events while everything and everyone on the screen is frozen-- but you know the camera's still rolling. You'll see lights flashing and p
I sat in here and submersed myself in this, completely captivated.
The story, by film artist Omer Fast called "The Casting", follows the narrator's description of two different events: an evening with a masochistic German girl and the impulsive shooting of an Iraqi. These two events switch interchangeably as the narrator draws parallels throughout the 14-minute piece.
I had to sit there and watch. I was angry for not being able to finish it, as I worried that my mother and sister were probably unaware of my whereabouts, but the few minutes I did see of this mindblowing piece were not ones I'll forget.
Since that day, I've had a growing fascination with this political artist's work. I've seen two short works of his, and now I want to see more from this incredibly promising individual.
I highly recommend those in the New York area to head over to The Whitney and catch this magnificent piece while they still can-- you won't regret it, and you probably won't be able to see it anywhere else, either!
Fantastic work. Certainly want to see more from this one.
Omer Fast: CNN Concentrated (2002)
I thought it was amazing too, wish I could find more information about the artist online...
ReplyDeleteYeah, I've looked all over, but absolutely nothing, which sucks.
ReplyDeleteDefinitely one of the most promising pieces I saw at the Biennal though!